In an era where digital-to-analog converters are increasingly defined by computational arms races and hyper-analytical micro-detail, the German engineers at T+A elektroakustik have built something that fundamentally challenges modern digital dogma. They have engineered the DAC 200 to allows the listener to dictate exactly how much mathematical intervention is applied to their music. It can act as a highly sophisticated digital reconstruction engine for compromised signals, or it can step out of the way entirely and act as a perfectly open window. So, settle in while I share my observations on the T+A DAC 200.