Harpist Doriene Marselje’s fascinating new album Interference explores the array […]

• by Jerika Hayes
• Mar 08th, 2025

Listening to “Tromp Miniature,” the fifth cut on Bryce Dessner’s […]

• by Ted Libbey
• Mar 04th, 2025

Great recordings of Beethoven’s string quartets, as is the case […]

• by Peter Burwasser
• Mar 01st, 2025

Puccini has long been an important composer in the career […]

• by Peter Burwasser
• Feb 04th, 2025

Albion, the record label of the Ralph Vaughan Williams Society, […]

• by Steven Estep
• Feb 01st, 2025

Estonian composer Arvo Pärt (b. 1935) has since the 1970s […]

• by Steven Estep
• Jan 28th, 2025

The title of this compelling collection of string quartet music […]

• by Peter Burwasser
• Dec 31st, 2024

Reviewer Jason Methfessel has a quick recommendation for this year’s […]

• by Jason Methfessel
• Dec 20th, 2024

Acoustical Systems, a German manufacturer of ultra-high-end turntables, tonearms, and […]

• by Andrew Quint
• Dec 07th, 2024

John Alden Carpenter, like his more famous contemporary Charles Ives, […]

• by Peter Burwasser
• Dec 03rd, 2024

Last year when DG premiered its astonishingly successful Original Source […]

• by Paul Seydor
• Nov 22nd, 2024

In addition to the rarely recorded concerto movement, this collection includes Masques et Bergamasques; the celebrated four-movement suite Fauré drew from his incidental music for Pelléas et Mélisande; the Élégie (in the version for cello and orchestra, played by Julia Hagen); the Ballade, Op. 19 (in the version for piano and orchestra, played by Guillaume Bellom); the Pavane, Op. 50; and the brief Berceuse, Op. 16 (in the version for violin and orchestra, again featuring an impeccable Capuçon as soloist).

• by Ted Libbey
• Nov 19th, 2024