Articles
Schumann: Piano Quartet & Quintet
Both of these works are examples of Schumann at his […]
- by Ted Libbey
- Apr 16th, 2024
Mendelssohn: Symphony No. 4 (1833 & 1834 versions)
Composers’ second thoughts are usually better than their first. Take […]
- by Ted Libbey
- Apr 09th, 2024
Going Spatial
This essay was first published in the book, Ways of […]
- by Laurie Anderson
- Apr 06th, 2024
The Resonance Between
Hindustani classical music has enjoyed a fruitful relationship with audiophile […]
- by Randall Couch
- Apr 02nd, 2024
Frid: The Complete Works for Violin and Piano
The pride of the Soviet Union was not necessarily its […]
- by Peter Burwasser
- Mar 30th, 2024
Igor Levit: Fantasia
Like a lot of today’s younger artists, Igor Levit, who’s […]
- by Ted Libbey
- Mar 26th, 2024
Éventail
Swiss oboist Heinz Holliger established his celebrated career with popular […]
- by Peter Burwasser
- Mar 08th, 2024
From Method to Madness: The American Sound
The four works here for cello and piano have at […]
- by Peter Burwasser
- Mar 05th, 2024
From MGM Musicals to Uncompromisingly Radical Copland
Sometime in the early aughts the enterprising British conductor John […]
- by Paul Seydor
- Jan 16th, 2024
An Old Hall Ladymass
Trio Mediaeval cemented their reputation as engaging interpreters of early […]
- by Stephen Estep
- Jan 12th, 2024
Herrmann: The Man Who Knew Too Much
Surprisingly, Bernard Herrmann’s complete score for Alfred Hitchcock’s The Man […]
- by Arthur Lintgen
- Jan 05th, 2024
Winning the War and Getting the Last Laugh
The tribulations Dmitri Shostakovich endured in the Soviet Union turned […]
- by Steven Estep
- Jan 02nd, 2024