Music

Amy Beach (1867–1944) came from the same generation that brought […]

• by Ted Libbey
• Oct 02nd, 2020

With several competition prizes and career grants under her belt, […]

• by Andrew Quint
• May 28th, 2020

It was my privilege to attend a day-long recording session […]

• by Andrew Quint
• Oct 31st, 2019

Schubert’s otherworldly genius takes on a particularly striking aspect in […]

• by Ted Libbey
• Jun 07th, 2019

Let me say it up front, Vivaldi in Venice is […]

• by Wayne Garcia
• Mar 01st, 2019

Those listeners not totally convinced by the change in sonority […]

• by Arthur Lintgen
• Jan 16th, 2019

When Leonard Bernstein’s MASS was first performed in 1971, even […]

• by Andrew Quint
• Nov 16th, 2018

Listeners can access Terry Riley’s world through dozens of portals—In […]

• by Derk Richardson
• Nov 12th, 2018

On a Sunday afternoon in January of 1955, 23-year-old Glenn […]

• by Andrew Quint
• Sep 21st, 2018

Eighth Blackbird is a consistently cutting-edge chamber ensemble. But “cutting […]

• by Andrew Quint
• Jun 21st, 2018

Manfred Honeck explains his interpretive approach in this SACD’s program […]

• by Arthur Lintgen
• Apr 12th, 2018

By my count, these two piano concertos are David Chesky’s […]

• by Andrew Quint
• Feb 23rd, 2018