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Over its lengthy ongoing career and countless personnel shuffles, Blood, Sweat & Tears achieved its peak of fame in 1968 with the release of this eponymously titled LP. A huge commercial and artistic success, Blood Sweat & Tears has just been reissued as part of Mobile Fidelity’s outstanding One-Step series, which removes two steps in the plating process to bring us that much closer to the master tape. The songs range from “Variations on a Theme by Erik Satie,” which opens and closes the LP, to Billie Holiday’s “God Bless the Child,” Traffic’s “Smiling Phases,” and three hit singles that define the album: Lead-singer David Clayton-Thomas’ “Spinning Wheel,” Laura Nyro’s “And When I Die,” and “You’ve Made Me So Very Happy.” MoFi’s One-Step breathes a newfound immediacy and physical presence to these tunes, as well as impressive dynamic punch, detail, and instrumental texture. The electric bass digs deep; there’s a realistic snap to the drums. Flutes, horns, and cymbals are presented with plenty of studio air and atmosphere, all on a large soundstage arrayed across the room. Like much music from the time, BS&T sounds like an aural snapshot of the day. And I mean that in a good way.
By Wayne Garcia
Although I’ve been a wine merchant for the past decade, my career in audio was triggered at age 12 when I heard the Stones’ Get Yer Ya-Ya’s Out! blasting from my future brother-in-law’s giant home-built horn speakers. The sound certainly wasn’t sophisticated, but, man, it sure was exciting.
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