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RMAF Day One: A Good Beginning

RMAF Day One: A Good Beginning

Friday mornings at Rocky Mountain tend to be the quietest as I begin my rounds, but I hit pay dirt right out of the chute. Norwegian electronics maker Hegel made quite a strong  first impression with the powerful, seductively styled and reasonably priced H200 integrated amp ($4000). Outputting what sounded like a  very conservative 200Wpc an dual-mono power supply, it was effortlessly driving the Dali Helicon 400s, one  of the my favorite medium sized (a medium priced) floorstanders of the last few years.  The source player was the equally svelte Hegel CDP2A, a Redbook-only player that uses true balanced multi-level 24-bit/192kHz DAC with synchronous upsampling ($2650). Newly available is the HD 10, Hegel’s USB/SPDIF outboard DAC at $1200. Given the current flow of the market, downloads, and interest in server-style technology, this will likely be a popular item for many.

Hegel HD10 USB DAC (below)RMAF Day One: A Good Beginning

Later on I headed over to the Avatar Acoustics room where I found the newly shipping AMR Premier Class AM-777 hybrid integrated amp ($3995). Known as a pre-main amplifier, it’s  two stage OptiGain circuit uses an SET valve stage upfront and a pure power buffer stage using bipolar technology to amplfy the circuit. Output is 60Wpc but it can be bridged for monoblock use to output 120W. It also incorporates an increasingly popular USB DAC.  Although Avatar also distributes Rethm loudspeakers, the AMR in this instance was driving a fine newcomer to the loudspeaker market, the Axis Voicebox S. Designed and built in Australia its designer Brad Serhan demonstrated just how well a small but well designed bass reflex compact could perform. Using a 50mm true ribbon tweeter and a 5.5-inch mid bass, the Voicebox S bore an uncanny resemblance to a mini-Quad in terms of its speed, transparency and cohernace. And with what appears to be solid bass response into the 50 cycle range this compact barely more than a foot tall might turn out to be one of the real “finds” of this years Rocky Mountain. thus far the price is still to be determined but look for it in the $3k/pr range. Much more to come, stay tuned.RMAF Day One: A Good Beginning

With Axis VoiceBox designer Brad Serhan

Tags: ROCKY MOUNTAIN AUDIO FEST

Neil Gader

By Neil Gader

My love of music largely predates my enthusiasm for audio. I grew up Los Angeles in a house where music was constantly playing on the stereo (Altecs, if you’re interested). It ranged from my mom listening to hit Broadway musicals to my sister’s early Bob Dylan, Joan Baez, Beatles, and Stones LPs, and dad’s constant companions, Frank Sinatra and Tony Bennett. With the British Invasion, I immediately picked up a guitar and took piano lessons and have been playing ever since. Following graduation from UCLA I became a writing member of the Lehman Engel’s BMI Musical Theater Workshops in New York–working in advertising to pay the bills. I’ve co-written bunches of songs, some published, some recorded. In 1995 I co-produced an award-winning short fiction movie that did well on the international film-festival circuit. I was introduced to Harry Pearson in the early 70s by a mutual friend. At that time Harry was still working full-time for Long Island’s Newsday even as he was writing Issue 1 of TAS during his off hours. We struck up a decades-long friendship that ultimately turned into a writing gig that has proved both stimulating and rewarding. In terms of music reproduction, I find myself listening more than ever for the “little” things. Low-level resolving power, dynamic gradients, shadings, timbral color and contrasts. Listening to a lot of vocals and solo piano has always helped me recalibrate and nail down what I’m hearing. Tonal neutrality and presence are important to me but small deviations are not disqualifying. But I am quite sensitive to treble over-reach, and find dry, hyper-detailed systems intriguing but inauthentic compared with the concert-going experience. For me, true musicality conveys the cozy warmth of a room with a fireplace not the icy cold of an igloo. Currently I split my time between Santa Fe, New Mexico and Studio City, California with my wife Judi Dickerson, an acting, voice, and dialect coach, along with border collies Ivy and Alfie.

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