Aurender Flow DAC/Headphone Amp

Desktop Delight

Equipment report
Categories:
Digital-to-analog converters
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Products:
Aurender Flow
Aurender Flow DAC/Headphone Amp

Setup and Ergonomics
Unless you intend always to use the Flow as a fixed-output device, its ideal location should be somewhere within arm’s reach. Heck, even if you never intend to use its volume control, the Flow is much easier to operate when it’s close to you, so you can see its display. Yes, the Flow has a display in the circular area inside its volume knob. Given the small area of this display, it is remarkably complete. Not only can you see the current volume level but also the USB mode, the current format being played, the battery condition, the output mode, and even whether a headphone is connected.

The Flow can be placed so it lays flat on its back (there are four small rubber bumpers to protect its rear surface), or you can lay it on its side so the control buttons are all located on the top. The only controls in addition to the large circular volume knob are along one side of the Flow. They consist of a power on/off, menu, move up, move down, and play buttons. The menu button has two modes, one for commonly changed settings and another push-and-hold mode for the settings that you will only need to alter occasionally.

Upon initial installation you are supposed to designate which kind of computer or smartphone the Flow will be connected to via the push-and-hold menu button. But if you’re the kind of person who doesn’t read the owner’s manual cover-to-cover and assumes that if you’re using a Mac, the Flow will be plug-and-play, the Flow will work, although I found performance to be better if you do set it up optimally for the device it is going to be tethered to. On a Mac, once designated, I found that the play, pause, move forward, and move backward buttons will operate iTunes as well as Aurdirvana+, Pure Vinyl, Pure Music, and Amarra Symphony. Keyboard and mouse controls also remained fully operable with all these apps.

The review sample of the Flow came with a 250GB mSATA drive mounted in it (it is sold sans drive, which is easily user-installable). My MacPro recognized the drive immediately and mounted it on the desktop. As with any mounted desktop drive, if you remove the drive without first unmounting (or ejecting) it, you will get an error message, and if you turn off or disconnect the Flow you get that same error message. This error warning gets old. Because a 250GB drive was too small for my entire music library (the Flow holds up to a 1TB mSATA drive) and I didn’t need another set of back-ups, I turned the drive off via Flow’s menu—after ascertaining that it could be written to and read from successfully.

Manufacturers of battery-powered devices will always face the dilemma of figuring out how and when they should be recharged. The Flow gives you the three options that I noted earlier. For optimal sound, I recommend turning off the recharging completely. When used as a preamp I could hear some low-level noise generated by the Flow’s charging circuits even in the “charge only when not playing” mode. When attached to an analog preamplifier the noise levels were the lowest in fixed-output mode with charging turned off.

I used the Flow with a wide variety of earphones from highly sensitive in-ear monitors to my least efficient full-sized headphones, and I was pleasantly surprised that they all worked well. Even with the most sensitive Westone ES-5 there was only the very faintest bit of low-level hiss. At the other end of the efficiency spectrum, the Flow had more than enough power to drive Beyer Dynamic DT-990 600-ohm version well past loud. The Flow is the first headphone amplifier I’ve experienced that didn’t need multiple gain settings to successfully accommodate a full range of headphone options.

One feature I’ve never given much thought to (but will in the future) is how a headphone amplifier interfaces with a new headphone. When you unplug and then plug in a new headphone, an amplifier can handle the new headphone in several ways: The amplifier can merely reproduce the previous volume settings. Or it can mute the output until the volume level is adjusted by hand, at which point the previous volume level manifests itself. Or it can mute the output and then reset the volume to maximum attenuation. After being blasted by more than my fair share of headphones, I much prefer the last method. Especially with the Flow’s 0.5dB volume increments, matching levels when comparing two headphones—even allowing for the opportunity to linger over that wicked-cool volume knob—was rapid and repeatable, and I never had to worry about lowering the volume before installing a different pair of cans. A further nice ergonomic touch is that the Flow’s display has an outer ring that shows you the volume level—when you remove a pair of earphones, you can watch the that volume ring drop, reassuringly, back to -90dB.

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