• Early Digital Recordings Didn’t All Suck

    Early Digital Recordings Didn’t All Suck

    Utter the words “early digital” and most audiophiles, even younger ones, will know exactly what you’re talking about. The term references sound lacking body and warmth, the fatiguing deficiency of dimensionality and tonal complexity that ...
  • David Chesky’s La Farranucci

    David Chesky’s La Farranucci

    David Chesky’s comic opera, La Farranucci, was performed on March 15th and 16th at the Brooklyn Music School Playhouse and I had the good fortune to be there. Actually, all of us in the auditorium ...
  • Vivaldi in Venice

    Vivaldi in Venice

    Let me say it up front, Vivaldi in Venice is one of the most gorgeous sounding and exquisitely played LPs I’ve heard in quite some time. Adding yet another fine title to its impressive young ...
  • John Williams at the Movies

    John Williams at the Movies

    Those listeners not totally convinced by the change in sonority from a full symphony orchestra including a substantial string section and a wind band should give this spectacular recording a serious audition. The principal reason ...
  • Run Out Groove

    Run Out Groove

    Formed in 2017, Run Out Groove is a vinyl-only and fan-engaged music label. Each month music lovers vote to decide which title will become the next limited edition one-time pressing. An imprint of Warner Music ...
  • A Roon Primer

    A Roon Primer

    What Is Roon? Roon is a music playback and management software suite for digital audio components. There are many such products on the market, including iTunes and JRiver’s Media Center, but what makes Roon special ...
  • Bernstein: MASS

    Bernstein: MASS

    When Leonard Bernstein’s MASS was first performed in 1971, even many of the composer’s most devoted admirers weren’t sure what to make of it. (The Nixon administration was pretty sure, detecting strong antiwar and antiestablishment ...
  • For Glenn Gould. Stewart Goodyear

    For Glenn Gould. Stewart Goodyear

    On a Sunday afternoon in January of 1955, 23-year-old Glenn Gould played his U.S. debut recital at the Phillips Collection in Washington, DC. This highly idiosyncratic program included music by Gibbons (Lord Salisbury’s Pavan), Sweelinck ...

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