Articles
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John Carter & Bobby Bradford
|This box celebrates one of the best, and most seriously underrated, musical partnerships of the postmodern era. Both John Carter and Bobby Bradford were Texans who relocated to Los Angeles, and both worked early on ...read more -
Variable Destiny Sound Orchestra: Sound Particle 47
|Garrison Fewell is a veteran guitarist who’s worked in the Boston area for decades. He comes out of a standard modern jazz guitar approach, but his work with the Variable Density Sound Orchestra shows just ...read more -
Cecil Taylor and Tony Oxley: Alianthus /Altissima
|One response to the increasingly difficult problem of marketing recorded music is the production of high-quality LPs in limited-run sets that specifically target collectors. Some of the best jazz coming out today falls into this ...read more -
Illinois Jacquet: Swing's The Thing
|On May 26th, 1942, a teenaged tenor saxophonist from Texas took the featured solo on Lionel Hampton’s recording of a riff tune called “Flying Home,” and planted the seed from which not only a lot ...read more -
Bill Evans at Town Hall
|This is a state-of-the-art, 180-gram vinyl reissue of one of the most significant records by one the most influential of all jazz pianists. That really should be enough, but in the case of Bill Evans ...read more -
Roscoe Mitchell: Old/Quartet Sessions
|In the mid to late 60s, saxophonist Roscoe Mitchell was at the center of a group of young Chicago-based musicians who were extending the language of the free jazz revolution, until then largely a New ...read more -
Bill Dixon: Intents and Purposes
|Very few records are genuinely unique; musicians usually work with known frameworks, and in the rare instances where really new territory is charted, it doesn’t take long for settlers to arrive. When RCA released trumpeter ...read more -
Brian Carpenter's Ghost Train Orchestra: Hothouse Stomp
|Despite some claims of “authenticity” in the press release, that isn’t really the object of this engaging record. Like many contemporary musicians, Brian Carpenter sees no reason to settle on any particular musical style. Boy ...read more -
The New York Art Quartet: Old Stuff
|The New York Art Quartet was formed in 1964 by trombonist Roswell Rudd and alto saxophonist John Tchicai. Rudd was a member of another quartet, completely devoted to the music of Thelonious Monk, and wanted ...read more -
Wizz Jones: Right Now
|Fans of British folk and folk-rock performers like Pentangle, Ralph McTell, Bert Jansch, and John Renbourn owe it to themselves to check out Wizz Jones, who all of the above would consider not only a ...read more -
Ben Webster: The Soul of Ben Webster
|Ben Webster was one of the greatest tenor players in the history of jazz. No one could swing harder, but no one could pull the heartstrings harder, either. Webster came into his own with Duke ...read more -
Alex Hoffman: Dark Lights
|As the liner notes point out, tenor saxophonist Alex Hoffman is a perfect fit for the hard-swinging, no-nonsense style of modern jazz that Smalls Records has been presenting over the past eight years. If I ...read more -
Davy Graham: Folks, Blues and Beyond
|There’s almost nothing in the music of Pentangle, Steeleye Span, Fairport Convention, or any of the members of those groups that wasn’t directly inspired by one larger-than-life guitarist named Davy Graham. As the young man ...read more -
Bill Evans: Live at Art D’Lugoff’s
|Earlier this year Resonance released a previously unheard collection by Wes Montgomery, which this reviewer noted might be the “rediscovered” jazz record of the year. This new Bill Evans release may provide the strongest competition. ...read more -
Billy Boy Arnold Sings Big Bill Broonzy
|Billy Boy Arnold is one of the few Chicago bluesmen who was actually born in the Windy City, and he grew up learning harmonica from one of the greatest, the original Sonny Boy Williamson (not ...read more